Gschwend, A. Jordan

Gschwend, A. Jordan 2018. The Emperor’s exotic and new world animals: Hans Khevenhüller and Habsburg menageries in Vienna and Prague. In: MacGregor, A. (ed), Naturalists in the field: collecting, recording and preserving the natural world from the 15th to the 21st century.. pp. 76-103.

Gschwend, A. Jordan 2017. Animais dos outros mundos – Animals from other worlds. In: The global city: Lisbon in the Renaissance. Museu Nacional de Arte Antiga, Lisboa. pp. 190-209, 329-339.

Gschwend, A. Jordan 2015. Two portraits of an Indian rhinoceros, called the “Wonder of Lisbon” (Catalogue 2.3). pp. 134-135.

Gschwend, A. Jordan 2015. Hans Khevenhuller and Habsburg menageries in Vienna and Prague. pp. 31-41.

Gschwend, A. Jordan 2011. Ivoires du Ceylan: produits de luxe de la Renaissance. Magazin Sammeln Collection no.87: 18-23.

Gschwend, A. Jordan 2010. The story of Suleyman: celebrity elephants and other exotica in Renaissance Portugal. Zurich, Pachyderm Production. pp. i-viii, 1-70.

Gschwend, A. Jordan 2010. Elfenbeine aus Ceylon: Luxusgüter für Katharina von Habsburg (1507-1578). Zurich, Museum Rietberg.

Perez de Tudela, A.; Gschwend, A. Jordan 2007. Renaissance menageries: exotic animals and pets at the Habsburg courts in Iberia and Central Europe. In: Enenkel, K.A.E. & Smith, P.J., Early modern zoology: the construction of animals in science, literature and the visual arts. Leiden, E.J.Brill. pp. 419-445.

Gschwend, A. Jordan 2004. Exotic animals in sixteenth-century Europe. In: Jackson, Anna & Jaffer, Amin (eds) Encounters: the meeting of Asia and Europe 1500-1800. London. pp. 42-43.

Gschwend, A. Jordan; Perez de Tudela, A. 2003. Exotica Habsburgica: La Casa de Austria y las colecciones exóticas en el Renacimiento temprano. Oriente en Palacio. Tesoros asiáticos en las colecciones reales españolas, Madrid, Patrimonio Nacional. pp. 27-44.

Perez de Tudela, A.; Gschwend, A. Jordan 2001. Luxury goods for royal collectors: exotica, princely gifts and rare animals exchanged between the Iberian courts and Central Europe in the Renaissance (1560-1612). Jahrbuch des Kunsthistorischen Museum Wien 3: 1-128.

Gschwend, A. Jordan 2000. A masterpiece of Indo-Portuguese art: the mounted rhinoceros cup of Maria of Portugal, Princess of Parma. Oriental Art 46 (3): 48-58.